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Tag Archives: sacred geometry

Lilith and Eve Meet for Lattes

20 Saturday Dec 2014

Posted by elainestirling in Narrative poetry

≈ 8 Comments

Tags

Elaine Stirling, medieval fixed verse, narrative poetry, poems for the solstice, sacred geometry, sestina, the two wives of Adam

arab coffee shop

A Sestina

In a café in Yemen, two lightly veiled women,
over foamy lattes and pistachio crescents, meet
to exchange little gifts with laughter and to dish
on the man they both know well. Every eve
of winter solstice, they come together, Lilith, first
wife and Evie, the second, illustrious mates

of the guy we call Adam, the force who mates
and regenerates without really thinking. The women
sigh. Our Adam is a lusty one, the first—
you’ve got to give him that. But how to meet
a higher love, muddled hearts are asking, Eve.
Have we perhaps overdone the dish?

Frozen to the point of tasteless is the dish
of revenge, her friend agrees. Of all that mates,
vengeance breeds the saddest spawn. Yet this eve,
we have a chance, sweet Lil, as founding women
to imagine something better. It’s foolish to meet
the same agony over and over again. But, first…

They draw their heads together, Lilith first
who says, it would only take the two of us. A dish
of Primum Mobile is simple. Tomorrow, we’ll meet
in the Garden, pick saffron and capers, mates
of great flavour. The day has arrived for women
to reclaim their artful selves and men to love the Eve

of their own disenchantment. The lovely Eve
smiles. Forbidden fruit, as I know well, at first
tastes sweet, then rots. It is the Knowing women
could have held but served instead upon a dish
to please their self-created, exiled mates.
I’ve here the list of all who now yearn to meet—

and I, says Lilith, those who, clothed in joy, meet
every day as Eden, freshening paradise, Eve,
as once we greeted Adam. You and I, perfect mates
of genesis, we perpetuate the ever-present first
with uplifting thoughts and feelings to warm the dish
of pure desire. Gloria, in excelsis to all men & women!

And thus, the everlasting meeting thrived of first
and second—Lilith, Eve—conspiring a magnificent dish
for mates proportionate to the highest in all women.

Happy Solstice!

~~~

© Elaine Stirling, 2014

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Of Boxes and Circles, We Built a Town

11 Friday Oct 2013

Posted by elainestirling in Form Poetry

≈ 4 Comments

Tags

ancient Meso-America, Carlos Castaneda, collective mind, double sestina, Elaine Stirling, form poetry, giant stone heads, higher ground, manifestation, Matthew Stirling, Mexico, nagual, non-linear cognitive systems, Olmec culture, reconciliation, relationships, sacred geometry, six syllable lines, the actions of creation, there is no separation

Olmec-in-Tabasco

You and I built a town
of boxes and circles
you will find on no map
and yet everyone knows
of the place, they still talk
though the streets are long gone
and we knocked out the lights,
fled our separate ways…
so why are they here, all
these hopefuls and dreamers?
What do they think they will
gain, remembering us?

Two random dots

We began, not as us,
no idea a town
would boom, spread and shine all
around. Uncertain will
doesn’t share what it knows,
so at first sight of lights
we ran in scared circles
clawing for hatches, ways
to escape; thus, the map
had begun while dreamers
crept in, by dawn were gone
leaving whispers of talk.

Pick-up lines

You were the first to talk
stirring echoes of us
from an era long gone.
To deny what one knows
when it’s true the delights
we once knew in a town
we can’t see, encircles
and reduces the map
to 3 or 2-D. Dreamers
try to give us their all,
but your will and mine will
resist in their own ways.

Pressure

There are so many ways
we could sing, think or talk
to bring heat to the lights
that create, never gone;
but push hates what shove knows
and there’s still no real us.
As stalkers and dreamers
we chase in mad circles,
asking, who lost the map?
learn intent, pray for will,
while around us the town
of the mind bends to all.

My, you’re square

My circle, your square, all
angling to find new ways
we can join what is gone
to what comes. As dreamers
we sketch in bliss our town
of infinite circles,
string theories, dangle lights.
All we’ve forgotten knows
to unroll the great map;
we see that we need us,
everything grows big, talk
and plans and schemes and will.

Sphere of no fear

Dear friend, say what you will,
for a time I heard all
you touched and felt, doggone,
that was fine! The dreamers
were pleased. At last, she knows
him; he knows her, circles
spinning into spheres, lights
across the budding town
spelled out your name. Our us
had the look of always.
We did not fear the talk
of stalkers with their map.

The swelling head

But routes don’t lie. Our map
of shortage and weak will
beneath the twinkling lights
was bleeding through. The ways
that would undermine us
flashed their naked parts. Town
criers laughed in circles
round us—hey, big dreamers,
how ‘bout you throw some talk
our way? Then you were gone,
siphoned off, drained by all
the superhero knows.

Cracks in the system

The best surveyor knows
the details of his map,
while speculators, all
we see is here and gone.
I chase the thrill; your talk
grows dull. I want dreamers!
They’re lusting into town
intrigued by the red lights
and tales we’ve strung. The us
we were has cracked and will
grow worse and die in ways
that spin us through circles.

Quick, do something!

Chasing you in circles,
partial attention knows
nothing, plucks at cheap talk.
We have both quit the town
we built and burnt the map
certain that our old ways
are buried deep, delights
we knew, cut off. Dreamers
claim they can see it all;
stalkers, their iron will
marches hell straight through us,
and all our strength is gone.

The gods are pissed.

With joyful wisdom gone
paranoia circles
sacrifice demands all
that we hold dear. The map
is rubbish; all the ways
that led to our sweet town
are blocked. You’ll find no lights
at night, the smarmy talk
of darkness feeds dreamers
with dread. Nobody knows
what happened to their will.
Angry gods, the new us!

Now look what you’ve done.

Cracked in two, them and us,
you with them—me, I’m gone.
I cannot count the ways
I do not love you knows
the truth, the deeper map.
Disregard the non-talk.
Still movement settles all
we dance among dreamers
plotting out new circles
designing a pre-town
beyond the ruined will.
Can you believe these lights?

Remains of the party

They dig through our smashed lights
carving theories of us
who appear to be gone
making sense of the map
its silent glyphs tell all,
but who listens? Who will
leap beyond easy talk,
feel on their skin our ways?
The we of us still knows.
We ride spiral circles
take tea with the dreamers
offer tours of our town.

Upon a time once, happily

Joy starts with us, the sensuous dreamers
adapting to ways of inclusion, the all
takes care of the lights and knows
our maps are never truly gone.
New love circles the borders of our town,
gentle will uplifting hopeful talk.

~~~

This is a work of imagination, based in part on early life experiences in the Olmec heartland of Mexico. Poetically, I’ve employed the form of a double sestina with six syllable lines (except for the envoi, final stanza). For me, this approximates the experience of creating a passage, then crawling through it. The selected end words won’t let you veer off, and if you’re lucky, they’ll shine different facets of themselves, like quartz crystal winking from a bed of granite.

© Elaine Stirling, 2013
Image: Matthew Stirling and friends
in Tabasco, Mexico, 1940s, near an excavated
Olmec head (We don’t actually know what
the Olmecs called themselves, though
they must have been an amazing people.)

Meditation II

09 Wednesday Oct 2013

Posted by elainestirling in Poetry

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Tags

benediction, Elaine Stirling, Fibonacci spiral, inner silence, nagual, orbits of Venus and Earth, poetry, preps for larger work, sacred geometry, symmetry

Earth Venus Fibonacci

Act of magic, work
upon this heart your silent
grace and seamless art.
~~~
© Elaine Stirling, 2013
Thank you to A.B. for sharing this image on Facebook.

Southeasterlies

25 Sunday Aug 2013

Posted by elainestirling in Poetry

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Crow Medicine, Elaine Stirling, First Nations, inevitability, Medicine Wheel, new love, new mythologies, poetry, poms from the soles of her feet, romance, sacred geometry, symmetry, the hero's myth, the heroine's journey, the power of thought

crow%20in%20flight%20by%20Paneros

South
she walks
with sunset
in her hair and
nothing more to
prove or say
while words
like flagstones
shimmer gilt-edged
on the path
ahead.

East
enticed
no more by
hero myths, he
tunes his ear to
harmonies
pulsing
silver through
the fragile webs
of dew-soaked
morning.

North
west of
Abbot’s Sound
a crow flies straight
to higher ground
his chalk line
drawn, he
plumbs two hearts
their depths to a
single point
must come.

~~~

© Elaine Stirling, 2013
Image of crow in flight
from http://www.aljezurfarm.com

Untold, Untelling, Untellable Tale: Other Half

21 Tuesday May 2013

Posted by elainestirling in Form Poetry

≈ 18 Comments

Tags

attracting abundance, brave new business leadership, Elaine Stirling, form poetry, Law of Attraction, light bodies, Live in the Momentum, manifestation, Merkabah, myths and stories of the Wheel, sacred geometry, star tetrahedron, The Corporate Storyteller, triple sestina, vibrational reality

merkaba-weltkugel

So, welcome now to other half of space
in time untellable, a few parts still untouched
these planes and curves of tetrahedral night
through journeys have no end, they are not mine
or yours, they are—and timed precise to follow
neuro-logic beats from zero, empty, slow,
to speedy seventeen, the time it takes upon
initial thought to grow a system beam
of argument, to feel connected or alone,
deprived, inspired; better, worse. We fell,
some say, to density but have never been apart
and all that glitters (why ever not?) is gold
we seek with more than measurable eye
when led by starry realms, we see ahead
to all that is, to which we may add words
of sweetness and soft cushioning. No king
could claim the finer—all the while, the girl
who leads this tale continues to be born.

Soon, she started noticing while traveling, apart
from increased speed, that others sought to follow
her approach of conflict-free. Some touched
her feet; others tried to write her words,
which seldom worked; for what I say is mine
and you, yours; all the meanings that you fell
and tripped on were inherited; and thus the night
of suffering appears to jaundiced eye
to never end. However, our intrepid girl
moves on, approaching ever closer to the king
she seeks whose edifice is just ahead,
so close you’ll see the filigree of gold
around his bed. He sleeps alone
and sports quite merrily by day. Born
to natural abundance, he’ll sometimes slow
for pleasure’s sake, no other, and the space
he claims and freely reigns upon
is infinite. He thinks in exponential beam.

All you thought of him before to space
dust has returned, and what befalls, befell
our heroine has vanished too. For Now is born
continuous, which means that all I claim is mine
by saying so. To argue for assent is slow,
exacerbating loneliness, when alone,
All One, imagining is fabulous! Our girl,
her fable of ever-weaving tabulae of gold
is lifting her to heights ne’er touched
by any but the ecstasies, exalted beam
of graces, cubed, quadrupled. Words
fall short, though if we carry on, the eye
can lead us through immensities, a part
beyond, including sacred and profane. Follow
where untroubled leads, and joyful night
encompasses the day. You might well sit upon
the carpet known by Al-lah-Din, ahead
he was of his own time & thus became a king.

Too much of same perpetuates the slow
in thought streams that are born
a-fresh in dreams. With all being mine
our monarch too forgets that light of eye
must be renewed in ways apart
above, beyond the flesh and thence to beam.
One day, a young gazelle began to follow
him, fearless, even while he hunted. The king,
perplexed, left grain for her one night
and when he woke she stood alone
in his encloséd garden whereupon
he thought he’d lay a trap and so fell
at her feet to offer charming words
that always brought him praise and gold.
The tawny creature stepped back a space,
wide-eyed, recoiled when he touched
her, and to his disappointment ran ahead
into the woods. Of course, she is the girl

who, running, left behind footprints of gold
that worlds material spent until they fell
and wars broke out and angry words
became the currency that holds apart
what never was unjoined. Had he touched
her prints or gathered them, to follow
would have been impossible. Through space,
through layers, twists & coils, he closed in upon
his object of renewing desire, and the girl,
confused, knew not why she fled. Mine
has been to journey here; by cruel night
and day, I’ve shaken off insipid eye
and feeble thought, have mastered born
and born again, yet now this kingly beam
disorients and I feel more than anything, alone.
If I should stop, consent to what the king
might say or do, if I should slow
myself to let him run ahead…

She backed into a quiet space
dissolving in a way that few except the girl
had learned. To think she was alone
would be inaccurate. Countless others fell
before her to this state, newly touched,
unable to discern from practiced eye
of history a remedy for overwhelming beam
that led her to this voice proclaiming, mine
you are, without the tinge of slavery. Slow
and cautious, she crept behind, apart,
surrounding her pursuer like a mist to follow
and know better the nature of this king
whose dreams through every reborn
state included her, and all the gold
she thought and left behind at night
appeared to be the same prosperity upon
which he constructed kingdoms. Ahead
he ran. Not seeing her, he turned to words.

To you, who are my life, I am your king.
To think that I had everything, apart
from you, I could not know. If all is mine
and you are not, then futile are my words.
By thinking that for you I have been born
opens a chasm of impossibility ahead
that no current measurements of human eye
can see as real, apportions me a space
that if I could, through mastery of night
unfear what talents this young girl
displays, I’d move beyond palatial gold.
But isn’t this how kings and nations fell
before my time? Meta-states pursued alone
with neither cause nor rhyme, of touchéd
mind they are a sign. That I must follow
if you choose to lead I swear upon
this puzzled head to do, and beam
me with an iron cauldron if lazily I slow.

Too much of rank suspicion had the king
consumed through envy and competing space.
That infinite might rearrange if born
within new thoughts impelled the girl
to creep into his room at night
and stroke his arms and hair. He fell
with each successive dream upon
new planes with greater destinies, a beam
of light became his bridge, untouched
by mere solidity which moved too slow.
Allowing symmetry and wholeness of alone,
he learned pure imagery to build and follow;
crusts of centuries of shame from eye
and ear dissolved, replaced by gold
the pure vibration humans seek to mine
in ways corruptible and fevered. Ahead
lies everything, no need to stand apart.
The simple thing now, to draw down words.

The wedding feast became a part
foundational of all the holy books: mine,
yours, and every metaphor of eye
and ear to pluck or lend, their role alone
to amplify. For when the king & girl first touched
in full desire of awareness, thereupon
the limitless becomes inheritance. No night
so dark, no lies of hopelessness, though born
will live to overthrow the fulfilled king
whose partner, spirited and free with words
cavorts in lively play behind, sometimes ahead
of him to bring back caravans of gold.
And should you decide, one day, to follow,
leaving behind the unworkable and slow,
to meet unseen the brightening beam,
your tale untellable of not who rose and fell
will reach the eardrums of a certain girl
who soars, a comet, through galaxies of space.

Though apart we’ll never be, illusions of space
of mine and yours will link us like the girl
whose fixéd eye ensured the one who fell
would never be alone. Believe the lighted beam
that’s touched you will accelerate, not slow
the dreams upon your pillow that you follow
every night flawlessly to earthly and divine gold.
For these you were born. All that lies ahead
is promised by the king of infinite words.

~~~

© Elaine Stirling, 2013
Image from merkaba-weltkugel.jpg

Untold, Untelling, Untellable Tale: First Half

21 Tuesday May 2013

Posted by elainestirling in Form Poetry

≈ 2 Comments

Tags

attracting abundance, brave new business leadership, Elaine Stirling, form poetry, Law of Attraction, light bodies, Live in the Momentum, manifestation, Merkabah, myths and stories of the Wheel, sacred geometry, star tetrahedron, The Corporate Storyteller, triple sestina, vibrational reality

merkabamusic_bandcamp_com

0 If this were proper time and space
1 I’d tell the tale of a brown-skinned girl
2 who rose and rose and never fell
3 a comet cross the sky, a beam
4 of light with trail too slow
5 to guide, could only follow
6 while she sailed on ships of gold—
7 but now I rush ahead
8 frustrated by the plod of words
9 reminded too there is a king
10 in all of this to riches born
11 a sultanate convinced by day and night
12 he’s right to place both hands upon
13 whate’er his fancy takes, thus touched
14 to lock and claim, I own, alone,
15 no need have I of ears and eye
16 the power to ignore is mine
17 divine, and thus to break apart.

17 Trouble is, what runs ahead
16 in minds and hearts like mine
15 and yours, perhaps, are tales of gold
14 not lead, what soothes the lazy eye
13 is the predictable, who wants to follow
12 dread to see where it may lead? Alone
11 is not our favoured state, we’d rather slow
10 what flies, to press what we have touched
9 in wax, the past; no brightening beam
8 can reach my version of events, upon
7 which more of same-same, night
6 and day must replicate, so the girl
5 in only certain versions can be born
4 and like I said, this time and space
3 may not be right, ego is king
2 here, all else lives apart;
1 you don’t want to know what fell
0 and all I have to give are words.

You could pause now, slow
your thoughts and read the beam
of numbers and lines upward upon
this page to the top. No one will follow,
no one will stop you. If still untouched
the tale I can’t tell will carry on alone
and those beings like you who never fell
will still be worth their weight in gold;
but I am here to represent the girl,
to recall how she decided one night
to vacate drudge and dungeon space
in search of the all-seeing eye
who travels somewhere up ahead
in places where it’s said one’s born
and born again. She knew no words
except, obey because you’re mine.
A slave, her daily toil kept her apart
and thoughts she thought kept b-rea-king.

Meaningless or meaning more, all words
around her smelled the same, ahead
lay shapes and motion beautiful upon
which she would lay her head at night
and dream of ladders built of gold
and litters of a mighty race born
long before or still to be—they had a king,
this much she knew and vowed to follow
every rung, though it might tear apart
flesh, blood and bone; no more the slow,
the tedious—if choice and grace are mine,
misplaced, I’ll trace again the steps of beam-
me-down that wakes me to a disapproving eye,
a world that shrinks away when touched
a misbegotten place that, reproducing, fell
and seeks that I should feel and fear alone
so it can buy and sell. Ptooey! spat the girl,
I am uncreating this abominable space.

Well, the thunder! Furies rose ahead,
behind, within, without, basting and slow
roasting the poor girl who dared of king
to dream. You think you’re not alone?
I know I am! She shrank beneath the beam
of light interrogating: you were born
and you will die and never does the eye
depart from watching you by night
and day for you ARE mine to mine!
But if I die, I’m not much use, the girl
to pain accustomed said, so based upon
your law you’d be wise to give me space
so I can live a long, long time and follow
your great mightiness & kiss your untouched
whatevers, I can’t see your parts apart
from this bright light, and words
they don’t mean much to me, I fell
at birth, so everything I think turns to gold.

She’d said too much, the silly girl;
now her captors looked ahead,
behind, to see what she had touched
but they lived in a dreary space
persuaded by the lack of things. Gold
was dear and hard to reach; the words
of man had lost their weight, they fell
like empty beetle shells to land upon
indifferent shoulders. No matter. Alone
the girl saw differently & crept away at night
between thunderclaps to find her king
who, in his harem, loved to follow
arguments when to one concubine he’d beam
and not the others, pulling them apart.
When something landed in his eye,
he rubbed but gave small thought to it. Mine
is the kingdom of the endless glory, born
anew each day, though some days are too slow!

Drawn were her weary feet to a certain king
in a marshy realm who’d seen ahead
of her arrival 108 slender threads upon
which a strange tale was adhering. That night,
he told his vizier that someone should follow
her, for she thinks capaciously, too far apart
and may be some sort of spy, whose eye
lights swiftly and departs, accumulating words
with which our reputation she may beam
across markets for good or ill. The king touched
the 108 lines of untelling verse, turning to gold
as he watched. To think an unassuming girl
could fabricate such wealth, traveling alone—
he’d never seen the like. In his kingdom, slow
ruled: methodical, traditional, what’s mine
in ways of thought and act since I was born
has suited well, and now this wee thing who fell
without consent into my sacred space…

Bring her to me! Slaves with bamboo beam
constructed a special littered cage upon
which the startled traveler was thrown, space
enough to sit or stand and peer with slow
deliberation. To what place am I being born?
she asked. No one answered. Waiting alone
in a vast pillared chamber lined with gold
lions, she wondered what and who lay ahead.
Eventually, her cage was set before the king
who walked around the quite ordinary girl
as if she might reveal by sleight of eye
her method with the story thread. That night,
he watched her sleep while wizards fell
to snoring; by dawn, she knew he isn’t mine.
My numbered lines of 108, to him are words,
but I’m not finished yet. Though what I’ve touched
I’ll take with me, no one from this land will follow
until I’ve put together what has been pulled apart.

And so upon a fresher path our traveler was born
with nothing in the cage but droplets where the girl
had slept, and the sorrowing, empty-handed king
staggered along the Water Margin, hearing words
of a strange new language that lay ahead
of his current capacity for ear, tongue and eye
to grasp. I drew you to me, yes, for the gold
& now you’re gone, but can it be you’re still a part
of me? Questions from the king like petals fell
along the meshéd way, and though she was alone
she felt continuous and lustrously the beam
of guidance meant for her…and now…and now, upon
which she could firmly without effort tread, slow
or fast or in-between, it mattered not; to follow
means to trust and love, and trust and love are mine,
she knew with ease. While resting in the night,
she dreamed perfection; days were touched
with joy and beauty lent her space.

~~~

To be followed by “The Other Half”

© Elaine Stirling, 2013
Image from merkabamusic_bandcamp.com

Refunding Fire: A Sestina

11 Saturday May 2013

Posted by elainestirling in Narrative poetry

≈ 7 Comments

Tags

brave new business leadership, discord, dissonance, Elaine Stirling, Epimetheus, foresight, form poetry, hindsight, humor, integration, narrative poetry, parody, Prometheus, Pythagorean comma, sacred geometry, sestina, The Corporate Storyteller, the unresolved

Diesisogpythagoreancomma

“For we are not pans and barrows, nor even porters of the fire and torch-bearers, but children of the fire, made of it, and only the same divinity transmuted and at two or three removes, when we know least about it.”

–Ralph Waldo Emerson, from his essay, “The Poet”

Volte-face: This being a labyrinthine fragment of a convoluted map, while true to form, lies, by necessity, three removes from the title’s premise and cannot, therefore, guarantee reprieve or escape from situations that exist or may have existed prior to the reader approaching this work. Re-reading may or may not be of further assistance.

My task began, as many do, with meaning well;
some learn by sight, others by repetition of sound,
I, of latter bent, having been for so long blanketed
had not heard the Titan who stole fire has a twin,
dull-witted thunk, Epimetheus, who goes about
unsetting fires, never quite managing but bad enough

that a magus named Pythagoras saw fit enough
to ask for volunteers none too bright who might, well,
consent to go to hell, and since I’d had about
enough of people’s whines & mockery, the sound
of someplace deeper held appeal. Have you a twin?
Pyth asked, before I signed. Nope, just me! Blanketed

thus with solitude and ignorance of how wet-blanketed
our species had agreed to be, I brought enough
of twinéd rope and kit to wend my way along twin
spirals that descend to nether studios so well
entrained in resonance—this is hell?—that no sound
can be heard and no thing can be talked about.

You’d think in such a place—Xibalba, Hades—about
which we are warned from infancy, still blanketed,
there’d be no sights, no complementary sound
apart from souls on fire, crying out, “Enough!”
This home to deviants where not quite perfect d…well
were monochord in their deploring of the hindsight twin,

brother of Prometheus. What comes before twin
thinking, Foresight, matters most, yet you fuss about
the done and did, as if the world had darned well
better know how miffed you are! Now you’re blanketed
in afterthought, fires erupting everywhere, enough
to make you think there is, or that you’re in, Hell! Sound

familiar? They were looking straight at me, their sound
of perfect fifth, just major third, while a trepidatious twin
inside my head was twanging. I do not know enough
of theory musical, although I paused when talk about
harmonic ratios to Mayan myth conjoined. Fire blanketed
creates the Smoking Mirror, Pythagoras knows this well.

Their harmonies were sounding off, as if cacophony that lay about
Prometheus’s twin multi-hatched with them. Already over-blanketed
with enough—no, too much data, I could not see things faring well.

~~~

The volte-face, about face, disclaimer, recant that began this sestina I wrote last, so it looks, in Epimetheal hindsight, like two more episodes will follow—not necessarily in sestina format. I hope something happens; I’ve never tried refunding fire before. Nonetheless, while this narrative awaits further unfolding, there are many embedded clues for the adventurous traveler who may have embarked on his/her own explorations.

© Elaine Stirling, 2013
Image of Pythagorean comma from
Overtone Music Network

The Other Sisters of the Family Mercantilia

08 Monday Apr 2013

Posted by elainestirling in Form Poetry

≈ 6 Comments

Tags

abundance, anti-trust, brain science, brave new business leadership, competition, economic revisioning, Elaine Stirling, form poetry, imagination, Law of Attraction, neurology, sacred geometry, sonnet, supply and demand, The Corporate Storyteller, the story of Babel, triune brain, vibrational reality

Pleiades_Elihu_Vedder_1885

Sister Five, Sequencia

Sister Five, Sequencia, says nothing
of the world as it is; to some she’s mute
observing from nucleic center all
that spins, she’s singular, unwed, she sings
to her equivalent, no less. Refute
her calls to trade and be assured of fall,
for data she engages includes all whose
limbic centers, 3-legged stools, are wobble-
free. Monopoly cannot be ruled save
in a fishy bowl, guaranteed to lose.
Continuous alarm, selling trouble
is a karma-based economy, grave-
headed. Only “con sequencia”, by
sequence deep-observed can plenitude fly.

The Sister of No Permission

Sister Six you’ll seldom see amidst her
sibling company, she has small use for
gatherings, she is the scout, the comet
head who flies, advancing with no other
aim in mind but joy, momentum-sped. Your
slow considerations will never get
between her and her light, your sordid talk
of shadow is the back end of the cave.
Good luck with that! If anti-trust makes cents
to you, invest—if not, fire up, unblock
those wings suspended for too long. Behave
as though permission were a sin. No fence
to climb or break, begin! The sisters six
plus one have heard your ascent to magicks.

Salt of the Earth

I am the seventh sister of the clan,
Cantilia is my name. I flow within
the bloodstreams of the race you call mankind.
You are my sea, la mer, the reach you plan
as if you weren’t already here, undimmed,
full content closer than a thought. You’ll find
the sisterhood has unspelled words like heal
and seek. You are not ill, you’re lacking naught!
Supply, demand and imagery who live
the other side of pause know how you feel—
do you, or are you pillared salt? They’ve got
you covered. Let go my hand now, and give
your heart to pure abundancy. You’re free
to recreate Bab-El’s society.

~~~

© Elaine Stirling, 2013
—painting of “The Pleiades” by
Elihu Vedder, 1885

The Executrix of Pause

06 Saturday Apr 2013

Posted by elainestirling in Poetry

≈ 1 Comment

Tags

abundance, both and more, brave new business leadership, Elaine Stirling, Golden Mean, new economic thought, sacred geometry, sonnet, The Corporate Storyteller, the power of pause, what the masters knew

Lost_Pleiad_(1884)_WA Bougereau

Demand is high, supply unsure, three kin
of Mercantilia stimulating pulse
and drive, you feel alive, a need to buy
or interject, you’ve wrecked before, again,
so what? The knee jerk of a mad impulse
restores the balance to—but wait! Just try
this once not acting or to think in haste
and watch who comes, who’s curious at what
you’ve done. The fulcrum, fourth of seven, seeks
to leverage thought to higher ground, not waste
through argument what’s done before—no but,
just more and both. Reduce from years to weeks
the evidence of commerce practiced clean
by living the abundant Golden Mean.

~~~

(After a pause of not too long, the final three
sisters of Mercantilia will make themselves known.)

© Elaine Stirling, 2013
Painting of “The Lost Pleiad” by
William-Adolphe Bouguereau (1884)

Awaken, Hero! A Coded Poem

19 Tuesday Mar 2013

Posted by elainestirling in Arcana, Poetry

≈ 6 Comments

Tags

Castaneda, cognitive systems, don Juan Matus, Elaine Stirling, erotica, kundalini, Levantine lore, Meso-American mysteries, nagual, numerology, Quetzalcoatl, sacred geometry, Shekhinah, zero point field

Eve-tempted-by-serpent

Acrostic with adult content: Reader discretion advised

~~~

Seduction is One fine art, don’t you think?
Elevating thrill of Two bodies above all others
Recreating Eden with Three small words, I want you.
Perhaps you’ve heard me whisper, Four play designed to
Excite new moistures. Shame, you haven’t. Well, Five thousand
Nubile virgin queens await my instruction at Six, dripping beauty,
Thirsty for what you once gave, while Seven radiant gods pleasure me
In canticles. I summoned you Eight days ago, hero, and entered your
Night dreams boldly with Nine new positions
And straddled you at Ten years you wandered
Addled by my charms; Nine lives you’ve thrown away and
Now you are begging for what, Eight more?
If only things rose for you as they once did—Seven
Times a day, at your least; in one go, Six women,
No limits then to the power of a Five-wakened man,
Ecstatic. Happily, I say, the Four-cornered square turns diamond again
Positioning eternally Three men at the service of the spring-ripe
Regina, hungry at Two strokes past midnight I will arrive naked,
Egregious, my One hand wrapped around your feathered
Serpent, the other cupping Zero.

© Elaine Stirling, 2011
Image of “Eve Tempted” by William Blake

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