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Tag Archives: Live in the Momentum

House of Last Straws

29 Friday Nov 2013

Posted by elainestirling in Narrative poetry

≈ Leave a comment

Tags

Elaine Stirling, enough is enough, fourteen liners, humourous verse, Live in the Momentum, moving beyond, narrative poetry, nursery rhymes for grown folk, satire, self-perception, The Game

fairy tale wolf

I had the recent great
fortune of visiting a creature
rotund and pink whose late
distant cousins had died of a feature
common to swine. She draws
for a living on the island of T____
and lives in a house made of straws,
not a stick or a stone could I see,
and I wondered what nature of pig
would invite such a one as I am
to a weekend of custard and fig
when she knows I am fonder of ham.
“Mr. Wolf, I am pleased. You are welcome
indeed to look around and rest some.”

Our opening moments were tense
for the island resides in a sea
known for storms, and the pretense
of friendship, given that me
and her kind have a past
was a strain to maintain.
“It’s a pleasure, Ms. Piggie, at last.”
To view me better, she drew back the curtain.
“I thought you’d be larger,” she said, “more
of a brute, but these are hard times,
no doubt, for lupines seeking to score
like you did in meatier climes.
I’ve a favour to ask, and you are my man.”
I licked my dry chops. “I shall do what I can.”

“This house that I built of last straws
for many a year has kept me, not warm
but apart and alive, now its flaws
like mad locusts are starting to swarm.
I’ve plans to invest with some camels
I know, whose backs have been broken
from too heavy loads. Their annals,
I’m sure, you have read if not spoken
of. Time has restored them, they’re spry
as young foals, and I’ve no need
of anyone’s judgmental eye.
Happiness is picking up speed
turning deserts to green,
and I do not see myself as unclean.”

Though at first I resisted her porcine
request, I came to oblige. I waited until
her ship had sailed off, streamlined
and sleek, then I worked up the will
that, of late, had grown weak from the shame,
self-inflicted, of the nature of me, and I rose
to the heights of the Alpha Omega, the game
we had come here to play…I suppose
there are bits of her house of last
straws still blowing about and landing
on backs overstrained, but my friend, she’s cast
her cares to the sea of pure understanding.
From here, I am off to dance with some belles
on a veldt. I’ve a taste, as you know, for gazelles.

Thank you, NS!

~~~

© Elaine Stirling, 2013

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Picasso Man

12 Friday Jul 2013

Posted by elainestirling in Poetry

≈ 2 Comments

Tags

abstraction, Costa del Sol, don't make too big a deal out of tags, Elaine Stirling, Live in the Momentum, new definitions, Pablo Picasso, poetry, self-expression, self-worth, vibrational reality

Picasso man

Picasso man strewn
wide across the beaches
of Marbella, built of scraps
of drifting tide and weed
he sells pain sandwiches
and disappointment wine
the lines to buy his art
stretch all the way to El
Castillo where I met you—
no, not you! See, that’s the
sign. Picasso man shares
words, damn good ones too,
you’re not supposed to feel or
claim, he sets them over
there for strays and lures
the likes of me to pedestals
as if I’d ever climb up one
of those! Projected virgins
with a broken neck, what
good are they? Though mostly
I am sure he does not like
me—whether here or there
it matters not. I have no plan
to integrate the fractured
man. They were the seventies,
what did I know? The better
question is, why am I?
After all these years.
Still looking.

~~~

© Elaine Stirling, 2013
Image of man by Pablo Picasso

Sufficing

06 Saturday Jul 2013

Posted by elainestirling in Poetry

≈ Leave a comment

Tags

abundance, desire, Elaine Stirling, happiness, knowing, Live in the Momentum, nagual, poetry, romance, sexuality, socialization of genders, trust, vibrational reality

IMG_0212

There is a kiss that reaches
men who carry hopes for happiness
that women dare not speak of
truth that compasses a gilded
agelessness that spins above
our clouded heads, and all
our slings of shot and pot
to puncture to the sun beyond
fall short, the youth that grows
and glows in darklessness cares
nothing for the squabble or
the whip. And so we lie, with
and to each other, reason-clad,
I cling to memories of a kiss
that fell apart, a book I read,
wise man I heard. What
did he say? No clue!

There is a kiss.
There is a kiss.
That’s all I know.

~~~

© Elaine Stirling, 2013
Image of Rudbeckia, black-eyed Susans,
from my garden

Instructions on Building a Secret Garden

29 Saturday Jun 2013

Posted by elainestirling in Narrative poetry

≈ 2 Comments

Tags

advice for future generations, being easy on yourself, boundaries, brave new business leadership, creative center, Elaine Stirling, experience, humour, inspiration, Law of Attraction, legacies, Live in the Momentum, narrative poetry, poetry, poetry for children, re-energizing self, reclaiming innocence, self-acceptance, The Corporate Storyteller, tranquility, vibrational reality, wisdom

IMG_0150

Carve a path, child.
Carve a path around
the bushes, place the stones
that others leave behind in
patterns you’ll remember for
the music they create when
rain and melted snow from
crag and blustered
mountain fall.

Here are tools.
They are used but
good ones nonetheless:
compass, triangle—squares,
they’ll show up soon enough
with not necessarily right angles—
a length of twine for getting and
forgetting rules of symmetry, a
sieve to shake the background
noises to the back where they
belong. What’s left inside the
netted steel is yours to toss
or wear around your neck.

You ask about the seeds.
I’ve none to give. I’m forested,
my limbs to cabinets for guns
and vanities are marked,
but you, your pockets
and the space behind
your ears—that place they
always check and scrub
and scold you for—are
full of unconceived, the
seeds that nobody but
you can see. D. S.

Don’t Stop.
It’s a sign I made
when I was young
and still connecting
dots. I never found a
place to hang or post it
in my garden, though I’ve
known the pleasure once
or twice of hearing it.
You’ll hear it too.

And now I see
you’d like to know
does secret mean
that should you fall
asleep one night inside
your garden, you might
wake one day to find
the world outside has
moved away and left
you with your bottle
caps and robin eggs
and fine clear paths?

This I cannot answer.
Only you decide what
secret means; the world
can only turn, it has nowhere
to go but round and round
and doesn’t care.

Your garden, though,
has heights and depths
and passages, descents
and entryways to places
built for two or three or
fifty-three and thousands
more you may adore—
you made a door, I’ll bet
you didn’t notice, look,
it’s here, as sturdy as a
tree. With every choice for
happiness, you made it
strong, it floats like cork
and locked is safer than
the mint of Knox. Who holds
the key? No one. It’s here
inside this vanity that’s
marked:

I’m me
I am forever me
and that’s enough!

And now it’s time
for me to let you be.
Your garden’s built and
growing, and I spy a pair
of irises fast rafting down
the winter melt affixed on
you. Enjoy, my sweet
young architect, adieu!

~~~

© Elaine Stirling, 2013

Untold, Untelling, Untellable Tale: Other Half

21 Tuesday May 2013

Posted by elainestirling in Form Poetry

≈ 18 Comments

Tags

attracting abundance, brave new business leadership, Elaine Stirling, form poetry, Law of Attraction, light bodies, Live in the Momentum, manifestation, Merkabah, myths and stories of the Wheel, sacred geometry, star tetrahedron, The Corporate Storyteller, triple sestina, vibrational reality

merkaba-weltkugel

So, welcome now to other half of space
in time untellable, a few parts still untouched
these planes and curves of tetrahedral night
through journeys have no end, they are not mine
or yours, they are—and timed precise to follow
neuro-logic beats from zero, empty, slow,
to speedy seventeen, the time it takes upon
initial thought to grow a system beam
of argument, to feel connected or alone,
deprived, inspired; better, worse. We fell,
some say, to density but have never been apart
and all that glitters (why ever not?) is gold
we seek with more than measurable eye
when led by starry realms, we see ahead
to all that is, to which we may add words
of sweetness and soft cushioning. No king
could claim the finer—all the while, the girl
who leads this tale continues to be born.

Soon, she started noticing while traveling, apart
from increased speed, that others sought to follow
her approach of conflict-free. Some touched
her feet; others tried to write her words,
which seldom worked; for what I say is mine
and you, yours; all the meanings that you fell
and tripped on were inherited; and thus the night
of suffering appears to jaundiced eye
to never end. However, our intrepid girl
moves on, approaching ever closer to the king
she seeks whose edifice is just ahead,
so close you’ll see the filigree of gold
around his bed. He sleeps alone
and sports quite merrily by day. Born
to natural abundance, he’ll sometimes slow
for pleasure’s sake, no other, and the space
he claims and freely reigns upon
is infinite. He thinks in exponential beam.

All you thought of him before to space
dust has returned, and what befalls, befell
our heroine has vanished too. For Now is born
continuous, which means that all I claim is mine
by saying so. To argue for assent is slow,
exacerbating loneliness, when alone,
All One, imagining is fabulous! Our girl,
her fable of ever-weaving tabulae of gold
is lifting her to heights ne’er touched
by any but the ecstasies, exalted beam
of graces, cubed, quadrupled. Words
fall short, though if we carry on, the eye
can lead us through immensities, a part
beyond, including sacred and profane. Follow
where untroubled leads, and joyful night
encompasses the day. You might well sit upon
the carpet known by Al-lah-Din, ahead
he was of his own time & thus became a king.

Too much of same perpetuates the slow
in thought streams that are born
a-fresh in dreams. With all being mine
our monarch too forgets that light of eye
must be renewed in ways apart
above, beyond the flesh and thence to beam.
One day, a young gazelle began to follow
him, fearless, even while he hunted. The king,
perplexed, left grain for her one night
and when he woke she stood alone
in his encloséd garden whereupon
he thought he’d lay a trap and so fell
at her feet to offer charming words
that always brought him praise and gold.
The tawny creature stepped back a space,
wide-eyed, recoiled when he touched
her, and to his disappointment ran ahead
into the woods. Of course, she is the girl

who, running, left behind footprints of gold
that worlds material spent until they fell
and wars broke out and angry words
became the currency that holds apart
what never was unjoined. Had he touched
her prints or gathered them, to follow
would have been impossible. Through space,
through layers, twists & coils, he closed in upon
his object of renewing desire, and the girl,
confused, knew not why she fled. Mine
has been to journey here; by cruel night
and day, I’ve shaken off insipid eye
and feeble thought, have mastered born
and born again, yet now this kingly beam
disorients and I feel more than anything, alone.
If I should stop, consent to what the king
might say or do, if I should slow
myself to let him run ahead…

She backed into a quiet space
dissolving in a way that few except the girl
had learned. To think she was alone
would be inaccurate. Countless others fell
before her to this state, newly touched,
unable to discern from practiced eye
of history a remedy for overwhelming beam
that led her to this voice proclaiming, mine
you are, without the tinge of slavery. Slow
and cautious, she crept behind, apart,
surrounding her pursuer like a mist to follow
and know better the nature of this king
whose dreams through every reborn
state included her, and all the gold
she thought and left behind at night
appeared to be the same prosperity upon
which he constructed kingdoms. Ahead
he ran. Not seeing her, he turned to words.

To you, who are my life, I am your king.
To think that I had everything, apart
from you, I could not know. If all is mine
and you are not, then futile are my words.
By thinking that for you I have been born
opens a chasm of impossibility ahead
that no current measurements of human eye
can see as real, apportions me a space
that if I could, through mastery of night
unfear what talents this young girl
displays, I’d move beyond palatial gold.
But isn’t this how kings and nations fell
before my time? Meta-states pursued alone
with neither cause nor rhyme, of touchéd
mind they are a sign. That I must follow
if you choose to lead I swear upon
this puzzled head to do, and beam
me with an iron cauldron if lazily I slow.

Too much of rank suspicion had the king
consumed through envy and competing space.
That infinite might rearrange if born
within new thoughts impelled the girl
to creep into his room at night
and stroke his arms and hair. He fell
with each successive dream upon
new planes with greater destinies, a beam
of light became his bridge, untouched
by mere solidity which moved too slow.
Allowing symmetry and wholeness of alone,
he learned pure imagery to build and follow;
crusts of centuries of shame from eye
and ear dissolved, replaced by gold
the pure vibration humans seek to mine
in ways corruptible and fevered. Ahead
lies everything, no need to stand apart.
The simple thing now, to draw down words.

The wedding feast became a part
foundational of all the holy books: mine,
yours, and every metaphor of eye
and ear to pluck or lend, their role alone
to amplify. For when the king & girl first touched
in full desire of awareness, thereupon
the limitless becomes inheritance. No night
so dark, no lies of hopelessness, though born
will live to overthrow the fulfilled king
whose partner, spirited and free with words
cavorts in lively play behind, sometimes ahead
of him to bring back caravans of gold.
And should you decide, one day, to follow,
leaving behind the unworkable and slow,
to meet unseen the brightening beam,
your tale untellable of not who rose and fell
will reach the eardrums of a certain girl
who soars, a comet, through galaxies of space.

Though apart we’ll never be, illusions of space
of mine and yours will link us like the girl
whose fixéd eye ensured the one who fell
would never be alone. Believe the lighted beam
that’s touched you will accelerate, not slow
the dreams upon your pillow that you follow
every night flawlessly to earthly and divine gold.
For these you were born. All that lies ahead
is promised by the king of infinite words.

~~~

© Elaine Stirling, 2013
Image from merkaba-weltkugel.jpg

Untold, Untelling, Untellable Tale: First Half

21 Tuesday May 2013

Posted by elainestirling in Form Poetry

≈ 2 Comments

Tags

attracting abundance, brave new business leadership, Elaine Stirling, form poetry, Law of Attraction, light bodies, Live in the Momentum, manifestation, Merkabah, myths and stories of the Wheel, sacred geometry, star tetrahedron, The Corporate Storyteller, triple sestina, vibrational reality

merkabamusic_bandcamp_com

0 If this were proper time and space
1 I’d tell the tale of a brown-skinned girl
2 who rose and rose and never fell
3 a comet cross the sky, a beam
4 of light with trail too slow
5 to guide, could only follow
6 while she sailed on ships of gold—
7 but now I rush ahead
8 frustrated by the plod of words
9 reminded too there is a king
10 in all of this to riches born
11 a sultanate convinced by day and night
12 he’s right to place both hands upon
13 whate’er his fancy takes, thus touched
14 to lock and claim, I own, alone,
15 no need have I of ears and eye
16 the power to ignore is mine
17 divine, and thus to break apart.

17 Trouble is, what runs ahead
16 in minds and hearts like mine
15 and yours, perhaps, are tales of gold
14 not lead, what soothes the lazy eye
13 is the predictable, who wants to follow
12 dread to see where it may lead? Alone
11 is not our favoured state, we’d rather slow
10 what flies, to press what we have touched
9 in wax, the past; no brightening beam
8 can reach my version of events, upon
7 which more of same-same, night
6 and day must replicate, so the girl
5 in only certain versions can be born
4 and like I said, this time and space
3 may not be right, ego is king
2 here, all else lives apart;
1 you don’t want to know what fell
0 and all I have to give are words.

You could pause now, slow
your thoughts and read the beam
of numbers and lines upward upon
this page to the top. No one will follow,
no one will stop you. If still untouched
the tale I can’t tell will carry on alone
and those beings like you who never fell
will still be worth their weight in gold;
but I am here to represent the girl,
to recall how she decided one night
to vacate drudge and dungeon space
in search of the all-seeing eye
who travels somewhere up ahead
in places where it’s said one’s born
and born again. She knew no words
except, obey because you’re mine.
A slave, her daily toil kept her apart
and thoughts she thought kept b-rea-king.

Meaningless or meaning more, all words
around her smelled the same, ahead
lay shapes and motion beautiful upon
which she would lay her head at night
and dream of ladders built of gold
and litters of a mighty race born
long before or still to be—they had a king,
this much she knew and vowed to follow
every rung, though it might tear apart
flesh, blood and bone; no more the slow,
the tedious—if choice and grace are mine,
misplaced, I’ll trace again the steps of beam-
me-down that wakes me to a disapproving eye,
a world that shrinks away when touched
a misbegotten place that, reproducing, fell
and seeks that I should feel and fear alone
so it can buy and sell. Ptooey! spat the girl,
I am uncreating this abominable space.

Well, the thunder! Furies rose ahead,
behind, within, without, basting and slow
roasting the poor girl who dared of king
to dream. You think you’re not alone?
I know I am! She shrank beneath the beam
of light interrogating: you were born
and you will die and never does the eye
depart from watching you by night
and day for you ARE mine to mine!
But if I die, I’m not much use, the girl
to pain accustomed said, so based upon
your law you’d be wise to give me space
so I can live a long, long time and follow
your great mightiness & kiss your untouched
whatevers, I can’t see your parts apart
from this bright light, and words
they don’t mean much to me, I fell
at birth, so everything I think turns to gold.

She’d said too much, the silly girl;
now her captors looked ahead,
behind, to see what she had touched
but they lived in a dreary space
persuaded by the lack of things. Gold
was dear and hard to reach; the words
of man had lost their weight, they fell
like empty beetle shells to land upon
indifferent shoulders. No matter. Alone
the girl saw differently & crept away at night
between thunderclaps to find her king
who, in his harem, loved to follow
arguments when to one concubine he’d beam
and not the others, pulling them apart.
When something landed in his eye,
he rubbed but gave small thought to it. Mine
is the kingdom of the endless glory, born
anew each day, though some days are too slow!

Drawn were her weary feet to a certain king
in a marshy realm who’d seen ahead
of her arrival 108 slender threads upon
which a strange tale was adhering. That night,
he told his vizier that someone should follow
her, for she thinks capaciously, too far apart
and may be some sort of spy, whose eye
lights swiftly and departs, accumulating words
with which our reputation she may beam
across markets for good or ill. The king touched
the 108 lines of untelling verse, turning to gold
as he watched. To think an unassuming girl
could fabricate such wealth, traveling alone—
he’d never seen the like. In his kingdom, slow
ruled: methodical, traditional, what’s mine
in ways of thought and act since I was born
has suited well, and now this wee thing who fell
without consent into my sacred space…

Bring her to me! Slaves with bamboo beam
constructed a special littered cage upon
which the startled traveler was thrown, space
enough to sit or stand and peer with slow
deliberation. To what place am I being born?
she asked. No one answered. Waiting alone
in a vast pillared chamber lined with gold
lions, she wondered what and who lay ahead.
Eventually, her cage was set before the king
who walked around the quite ordinary girl
as if she might reveal by sleight of eye
her method with the story thread. That night,
he watched her sleep while wizards fell
to snoring; by dawn, she knew he isn’t mine.
My numbered lines of 108, to him are words,
but I’m not finished yet. Though what I’ve touched
I’ll take with me, no one from this land will follow
until I’ve put together what has been pulled apart.

And so upon a fresher path our traveler was born
with nothing in the cage but droplets where the girl
had slept, and the sorrowing, empty-handed king
staggered along the Water Margin, hearing words
of a strange new language that lay ahead
of his current capacity for ear, tongue and eye
to grasp. I drew you to me, yes, for the gold
& now you’re gone, but can it be you’re still a part
of me? Questions from the king like petals fell
along the meshéd way, and though she was alone
she felt continuous and lustrously the beam
of guidance meant for her…and now…and now, upon
which she could firmly without effort tread, slow
or fast or in-between, it mattered not; to follow
means to trust and love, and trust and love are mine,
she knew with ease. While resting in the night,
she dreamed perfection; days were touched
with joy and beauty lent her space.

~~~

To be followed by “The Other Half”

© Elaine Stirling, 2013
Image from merkabamusic_bandcamp.com

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