• About

Oceantics

~ because the waves and tumbles of life are only as serious as we make them.

Oceantics

Category Archives: Folklore

Manifestina, for the Solstice

16 Sunday Jun 2013

Posted by elainestirling in Folklore, Form Poetry

≈ 2 Comments

Tags

brave new business leadership, cyclical time-space, double sestina, Elaine Stirling, feminine mythology, Finnish pantheon, Finnish textiles, folklore, form poetry, Juhannus, Kalevala, Law of Attraction, manifestation, medieval verse, Midsummer's Eve, spinning, summer solstice, tales of magic, The Corporate Storyteller, vibrational reality, weaving

Finland rugs

In this beautiful week leading to Midsummer’s Eve, I thought I would share my first double sestina that I completed on the Summer Solstice of 2011. I was already hooked on the sestina form as a means of twirling the brain and dancing with a theme, and I’d read warnings on poetry sites not to attempt the daunting double version. I am here to tell you, they are FUN! “Manifestina” also came about by a dare from a poet friend, D. Russel Micnheimer, who suggested we each contribute six of the twelve end words, write our own double sestinas, and see what comes out. “Manifestina” took two weeks to write, and it was pure joy.

A Note on the Image: The rag rugs and pelts are in the attic of a family homestead in northern Finland. Some of the rugs probably go back 100 years, and that’s a real working spinning wheel. I’m delighted to share the attic’s treasures with you here, dear reader.

Manifestina: A Double Sestina in Four Parts

I

Until my inheritance arrived in a pine crate marked Fragile, I knew nothing of runes.
My godmother is dead. Her portrait hangs over there near the coleus. Her calling,
people thought, was wife of a pastor, obedient, still; velvet-lined offering
plates providing their sustenance on this vast rocky continent many moons
ago. Evenings, she spun near the grandly displayed leather-bound Bible, a cunning
parlour arrangement of handwoven rag rugs, upright chairs, designed for brevity,
for Pastori, away from the pulpit, was a man of few reaches, his nourishment
dependent on her lingonberry kropsut and silence, desponding for his fjords.
They met, so I’m told, at a picnic one Sunday near the Tapiola waterfall:
fiery young girl who loved to dance, Lutheran seminarian who didn’t, sounding
nonetheless to her eyes and ears like a hero of Kaleva, his Nordic levity
outshining the broody pall of her brothers. He was also very good at listening.

Now disassembled in front of the TV lies her spinning wheel. I’m listening
sort of to my lover on his smart phone bemoaning the inscrutable Dow Jones runes
that ruined his retirement and counting the months I have endured his waterfall
when, suddenly, the twelve-spoked wheel jerks in the box, an anti-physics levity
that makes me drop the phone and when I pick it up I hear her voice, “He moons
while you’re of solar ilk. Outshine!”—the hell? She speaks then of nourishment,
daily bread, though I’m too freaked to catch it. Yes, I have heard of ghosts calling
but the line is now dead, and then up comes a commercial for a seven-day Fjords
Cruise on a Norwegian liner with a land option add-on and a midsummer offering
of mystery and magic, which I’ve just experienced, though it’s already sounding
trite: a mini-tremor, trick of the eye. Still, I have unused holidays so with the brevity
of Internet, I book a solo cruise and hang the wheel to cover a stain: cunning.

II

Though I lie in pieces—sticks, a bag of bolts—my design remains cunning
though my spin has fallen still, hanging by a hook, I am still listening
to the whirr of incantations, rhythmic hand and foot songs, spinners’ brevity
drowned in complexities of this solar-maddened world, cooling moons
cast aside, their tide pulls forgotten, beams outshone, lunar nourishment
centrifugally emptied by empty spinning minds. I am of ash, mapped in runes;
simple etchings blessed have led me to this new restless owner, calling
out with the oscillating voice of the firmament, great world tree, offering
succor and sanction, sanctuary, sanity, for the sole purpose of sounding
humanity’s depths to the very toes of Helvetti, through rainbow and waterfall
rising from taproot to trunk to outspreading branches, leaving with levity
light’s upward push, right angled to the somber jagged thrust of fjords.

Over-deepened, semi-enclosed marine basins, the composition of fjords,
drones our doctoral tour guide, weathery and blue-eyed, of cunning
Viking stock, employed to enhance the ecotourists’ nourishment;
sedimentary sequences, glacial, deglacial, I resist the brevity
he assigns to beauty and aeonic movement, carved by moons
much wiser than the icon we conquered in sixty-nine. No longer listening,
I laugh midst the salt spray at a great skua’s cackle, magnificent sounding
of bird and sea when the land catches me behind the knees, calling,
an abysmal howl—human, inhuman, I cannot tell who is offering
this wilder maiden-bearing spin. Is such, I wonder, the nature of levity?

Upright my two maidens who support the construct of flyer and bobbin, runes
carved upon their limbs with a conjurer’s blade, they sing of waterfall
a thrumming nether built of wood gods, sprites and chortling waterfall
deities who in tandem reckless force rouse forests, fens and fjords
of the inner realm, incanting eight-fold trochaics of phonic brevity
that clack and whir through the flaxen arts, hear me sounding
feel me bounding, treadle-footed, wheel resounding—rhythmic runes
of an ancient race deglaciating, frozen through the ages, blood calling
out to minds gone porous and brittle, to seek infernal nourishment.
Revive the bones you cast, then cast aside. A gathering of new moons
awaits you, woman, eastward in a glade of birch and poplar, offering
truths of schist and calcite to obviate the old. But is she listening?

Seasick, I heave and wonder where and when I lost my cunning,
this off-center wheel, an elliptic wobble, was once fueled by levity
and is now grave, slick and sickened with false lubricants. Levity,
I remain persuaded, is no less a natural law than gravity. Water fall
water rise, fountaining. Even the roughest seas evaporate. This brevity
of vision, a toxicant, with each passing day is sounding
less and less like me. Emptied, I chart the bronze-edged moon’s
phases on the map above my birth, a pregnant gibbous calling
from an age that shunned the notion of lack of nourishment;
broadsided, my cosmetic bag spills across the floor: new runes.

At the edge of Tapiola’s waterfall, Kerttu braids her hair, listening;
tall and strong-boned, she dreams of majesty, of cool rugged fjords
and to join the west-sailing exodus. Well-crafted spinner, cunning,
she collects stones in defiance, builds secret cairns in offering
to all that heaves and grieves beneath her feet, exiled, offering
ignorance, refusing any yarns, spun or dyed, that offend her levity.
She entrances a Norwegian and drinks from his sexual nourishment,
though he turns out a shallow pool, his soul fast bound, his fjords
over-fished. To the scree of his holy scrip, she stops listening
and buries on the eve of their sailing a trace of girl-soul in the runes
of her homeland in hopes of reaching a consequent feminine, calling
across time, particulate, tumbled ashore by a truer god-sounding.

The postal bus drops me off at the village of my forebears, a cunning
pleroma of farms and birch groves, church and graveyard; the brevity
of commerce is restful to the eyes. Outside my one-room cabin, a waterfall
framed between shimmering aspens is stenciled through cut-out moons
silvering upon the screen door. At these latitudes, approaching solstice, the moon’s
lost her midnight prominence. I walk the forested paths of my godmother, offering
thanks, well-lit, for the respite from greed and bank towers. Beyond the waterfall
I find the bridge she used to talk about, laughing with unashamed brevity
where she kissed boys, braided grass circlets and sang loihturunot, old cunning,
poem-songs that spin new worlds into being; all this she remembered, sounding—

We gather in the Old Way, male Fennic carvers and chanters of runes
filaments of affection have conjured us; wide-open thought fields of nourishment
have summoned Ilkka, poet-singer of fame, and the Blind One, who’s listening
with the soles of his feet. Bonfires crackling, forearms we link in fraternal levity
to rebirth the heroes of Kaleva through pole star merge of Finn and fjords:
Ilmatar of air and light, seize her by the hand, we’re calling
Thor of fearsome thunder might, fuse her to the land, we’re calling
forth and back we rhyme the sequence, moons
in elemental frequence. Cast upon her now the cunning
spin the golden threads, the sunning, runes
we rock of blood and bone, waken Väinämöinen’s offering
turns he through us, burns he through us, wizard king of lake and fjords.

III

—as if it were yesterday. From across the bridge, a man approaches. Nourishment
I’ve brought, apples, bread and cheese, enough to share. Though he’s sounding
no footfall when his boot heels meet wood, I feel only calm—some waterfall
lunacy, no doubt. Flaxen hair to shoulders, he is tall and lightly bearded. Levity
from deep inside my belly shoots heartward. Welcome to ammo, he says. Listening
not so well, I say, what? Mmm, gjetost. He reaches out, smiling, man of brevity.

I hand him a wedge of goat cheese. Who are you, I ask, no stranger myself to brevity.
He sits on a fallen log and eats, regarding me in the way that men do, thus calling
to mind my godmother’s encounter eighty years ago at this very waterfall.
You’re not Norwegian and fond of kropsut, are you? I proffer him an apple offering.

Of Nordic race iambic seed, he says, of vanquished realms and distant fjords
created. Ammo, carried north by ancient Ugric tribes, is written in the runes
of your wheel that spins, meaning time of no time, agglutinating nourishment
to all that is and ever be. I am ennu pappi, oracle priest, the man of cunning
who tutored Kerttu in a spiral of this very solstice. His lyric speech sounding
like blue-green seas of juniper, I wonder whether o-priests are celibate. Moons
ago, he says, quatrinities spun freely in eternal ascension, keeping the levity
of earth and man in balance, dimensional monarchies, ever charged and listening
chopping blandishments and follies at their root. He pauses. Are you listening?
Me? What the heck are you going on about? I crunch into an apple: brevity.

IV

You are a pulse star blinking on and off. You are expanding fjords
upon a horizontal field, seeded and terrained by tides of thought-moons,
invaded, sadly, by false kings, ordinal descending integers, who demand offering
to a belief in continuity—not the ever-after, for happily, mind, is a cunning
truth—but the never-changing and its rank gravitational pull. This waterfall
brought on the Great Deluge that drowned humanity. I and others did a sounding:
all were dead, save Utnapishtim, who heeded, his three sons and Nature. Calling
upon Hel, fierce goddess of the lower realm, we, a delegation of nine, pleaded runes
scrip of wood and stone to reseed the flooded and now fertile banks of levity.
From her barge on rivers of magma, Hel seethed: I am the essence of nourishment, sending up continuous terra potentia to all. Yet all I see is malnourishment.

Here, he paused, silver eyes glistening, and I took his hand for I had been listening.
I picked up the thread. She asked us what we would give in exchange—her brevity
shot fields of ice across the earth. Panicked, I broke through the ranks, offering
whatever—we have means of paying! She looked at me and laughed, a waterfall
of lava. You, mortal, of water and clay? You are my creation, a spring surge of levity,
dust of my feet. No. I shook my head. I am your precreation, gifted with cunning.
Womb in exile, I have watched you spin the horizontal field, mapping out fjords
and firmaments. I can be your surety. Plant in me the seeds of remembering. Moons
will pass and when the world floods again to the point of deluge, I’ll heed the calling.
I will cast off the knots of forgetting, false banishment, to spin a new field, sounding
true depths of verse and converse, mother-of-all, your sacred loving art of runes.

Envoi

So now I am at home listening, and life, sweet life, is sounding
new, like it never was before. Fjords reach out boldly, majestic waterfall
cascades; the nourishment of joy spins out my hours. Fun-loving moons
pull me here and there, offering temptations; I appreciate their brevity.
No strings, only this moment calling the shots. Everywhere, I see runes
guiding me with levity, toward your smile ever-bright and cunning.

~~~

© June 21, 2011, Summer Solstice
Image: Lisa Bobechko, photographer
Dedicated to Kerttu Kyllönen, my godmother
who kept her passion alive for nearly 100 years

Advertisement

The Bread Inside this Oven: A Cossante

25 Monday Feb 2013

Posted by elainestirling in Folklore

≈ 6 Comments

Tags

cossante, Elaine Stirling, fertility chants, form poetry, Galician, jongleurs, Middle Ages, Portugese, rhyming couplets, troubadours

Image from tourist.com, Crevecouer-en-Ange, France

Image from tourist.com, Crevecouer-en-Ange, France

The cook and I did meet ‘neath the oleander tree
till the cuckoo stole his eggs away to Galilee.
Will the bread inside this oven ever rise?

The seaman brought a sturgeon with a rich pink spawn;
we fed each other roe paste till the cod was gone.
Will the bread inside this oven ever rise?

Till the cuckoo stole his eggs away to Galilee,
I’d hoped the stork would help me scrub the chimney.
Will the bread inside this oven ever rise?

We fed each other roe paste till the cod was gone,
no salty little pieces left to nibble on.
Will the bread inside this oven ever rise?

I’d hoped the stork would help me scrub the chimney
But he flew to Santiago for the Holy See.
Will the bread inside this oven ever rise?

No salty little pieces left to nibble on,
it’s time to light fresh coals beneath a different song.
Will the bread inside this oven ever rise?

~~~

The cossante is a Galician-Portuguese folk poetry form made popular in the 12th-14th centuries. Sung initially by women, it contains a weaving pattern known as leixa-pren, a dance term for two alternating lines of dancers and singers. With the rise of troubadours and jongleurs, the humble cossante found its way to royal courts where it became more formalized; but even when sung by men, they often retained the female narration. The oldest known fragments of folk poetry come from 10th century Aquitaine and may have been fertility chants, a theme I’ve scooped happily for this piece.

© Elaine Stirling, 2013

La Farandole

12 Wednesday Dec 2012

Posted by elainestirling in Folklore

≈ 2 Comments

Tags

abundance, Court of Love, Elaine Stirling, Georges Bizet, medieval dance, mythology, poetry, Poitiers, rhyming couplets

I met a man who made me feel when I would rather think;

A medieval dance of Languedoc, France, said to originate in ancient Greece as "windings of the labyrinth"

A medieval dance of Languedoc, France, the farandole is said to originate in ancient Greece as “windings of the labyrinth”.

he danced for me a pretty reel before I could scarce blink.

To compensate I threw to him my complicated thoughts;
he answered me by turning my emotions into knots.

After disentanglement, I wove a rich brocade,
while he rode off to Palestine and left me sore afraid.

I hung the golden drapes across the drafty western wall,
which warmed the castle up enough that we could hold a ball.

From east and west, the dukes and ladies gathered for to dance;
I paced along the battlements, suspiciously entranced.

The ancient feuds still criss-crossed our hereditary lands;
if I were just to let them go, I’d have no back-up plans;

If I didn’t know what next to do, whatever would I say
when someone asked to know my goals tomorrow and today?

And if I had to tell them that I didn’t have a clue,
there’d surely be a gravitas, an awkward silence too.

The more I thought the less I knew, while from the ballroom poured
the ever-speeding dance steps of the wildly spinning horde.

The commoners had joined the dukes, the ladies were a fright,
their slippers tossed and hair askew, it was a ghastly sight!

We’d worked so hard to build the walls of pas egalité
and now they were dissolving into shameful disarray.

If I did not return to them and stop this farandole,
the maddening debauchery would claim them, heart and soul.

And so, I took the western stairs, full burdened with my sins
to where the golden tapestry was hung with silver pins.

I tugged the threads and pushed the nails until my fingers bled,
but nothing that I tried or did would roust them from their stead;

And while I struggled thus a gust of wintry wind arose
and lifted me from my travails then dropped me on my toes

To dance a strain of farandole that I could not surcease
and whisked me to the ballroom where a man in tattered fleece

did scoop me up and spin me round in clouds of woolly fuzz,
and not until the dawn had dawned did I know who he was.

It was my noble knight returned safe home from his Crusade,
and I’d become the lady who forgot to be afraid.

With me no longer thinking and with him relieved of war,
we watch our kingdom flourish as it’s never done before.

The message of the farandole, the labyrinthine dance
is throw your fate into the air and trust the god of chance

To gather all you think and feel and spin them bright, anew;
with all things being equal, you will see your dreams come true.

For every heart is joinéd at the center of the ring,
and all Creation thanks you for the merriment you bring.

© “La Farandole”, poem by Elaine Stirling, 2012

Salacious

24 Saturday Nov 2012

Posted by elainestirling in Folklore

≈ 12 Comments

Tags

Diego Rivera, Elaine Stirling, Frida Kahlo, Mexican dance, Mexican painters, muralists

“Zandunga in Tehuantepec” by Diego Rivera

Salacious details splashed
across the pages of the press
again of you and me, today.

I yearn to call their spiteful
sting a fiction, feeding as we did
those hungry years our appetites
for juice of pomegranate, melon
twines, sweet seeded prickly
pear, your pair and mine, alas

the frenzy monstrous has
become and overshadows
turned to chiaroscuro talents
of your lusty brush, you stroke
with careless thought the fine-
toned legs that fuel murals of
Tehuantepec, the artsy set,
thick-bushed, they mob you
waving funds supplied by
husbands chasing greenbacks
having burnt the maps
to their cold marriage beds

and now I ask myself, confined
to these four posters and the mirror
where I paint myself in slow decline
how so these jealousies, for have
I not partaken equally, mixed
palettes soft and furious like you,
my sable brush to dip across wet
canvases, intoxicate, while dancing
slow zandungas to the memory
of your name?

We’ve none to blame though
time’s sweet measure pours us
here again, salacious, into arms
not yours, not mine, for in the end,
if end there be, the myriad of
colours in the mural of infinity
will shine the brightest that
derive from you and me.


© poem, “Salacious”, by Elaine Stirling, 2012

Death Coach, Part II

29 Saturday Sep 2012

Posted by elainestirling in Folklore

≈ 1 Comment

Tags

Baba Yaga, Elaine Stirling, famous witches, free will, poetry, sin

SPOILER ALERT: If you’re new to the Death Coach poetic mini-saga, you may want to scroll down to the previous blog where the story begins.

♣♣♣

The haggardly death coach
if you let her come in, you’ll hear
an uncomfortable barking of sin
at her heels wearing faces of all

Baba Yaga, the famous Slavic death coach, lives in a hut that stands and runs on chicken legs.

that you wanted and got, and
the ones you discarded to
follow a new set of—

♣

Not! Mustn’t go there, says who.
Who said that? Nobody. No body,
no spirit cuts us from ourselves
but our selves, we are born with a
pair of retractable eyes with layers
of lids to affect a disguise of
disinterest, desire, whatever might
serve us; the lies and the truths
they are bound to build up, and
the death coach she sees them
and chops them to digestible bits
or assigns them to slots in
appropriate seasons and whispers
with deep and lascivious glee:
wanting is holy, yes, wanting
is Meeeee…tee, hee, hee, hee!

♣

Alas, the thought, the mere notion
of harnessed emotion released
by a crone with a passion for
calling attention to tension sends
most mortals running in search
of a group with a steeple or
bottle, some form of escape we
can make at full throttle, for surely
if God, if there be such a thing,
didn’t mean what he said about
will being free, or we’d all become
savages, cokeheads and slumdogs…

♣

and while your mind conjures lists
of the terrible things you would do
to the world, were you given the key
to unclad liberty, the death coach
she cackles and rattles a pair of
dice carved from juvenile alligator
teeth, and she throws them…

♣

[to be concluded]

♣

© Elaine Stirling, 2012

Recent Posts

  • We are family, Dytiscidae…
  • The Boy Who Played with ABZs
  • Distancing
  • To Begin, Begin
  • I Cross the Street When I See You Coming

Archives

  • November 2021
  • May 2021
  • April 2020
  • March 2020
  • January 2019
  • December 2018
  • November 2018
  • September 2018
  • August 2018
  • April 2018
  • December 2017
  • November 2017
  • August 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012

Meta

  • Register
  • Log in
  • Entries feed
  • Comments feed
  • WordPress.com

Blogroll

  • Discuss
  • Get Inspired
  • Get Polling
  • Get Support
  • Learn WordPress.com
  • Theme Showcase
  • WordPress Planet
  • WordPress.com News

Blog Stats

  • 40,622 hits

What I’m Tweeting these days

  • I just submitted "H.A.G." to @fadeinawards via FilmFreeway.com! - 4 months ago
  • Delighted that my animated musical feature TOAST has made the quarterfinals! twitter.com/screencrafting… 4 months ago
  • @SimuLiu I'm halfway through the prologue and already in tears. So, so happy for you! 7 months ago
  • RT @SimuLiu: Guys I think I made finally made her proud https://t.co/EnC4mvyfiV 7 months ago
  • In this uncertain Holiday Season, wishing all of you Peace, Joy, and Patience. And a splendid 2022! 1 year ago

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,344 other subscribers

Top Posts & Pages

  • We are family, Dytiscidae...
  • The Boy Who Played with ABZs
  • Distancing
  • To Begin, Begin
  • I Cross the Street When I See You Coming
  • Moistures & Excitements
  • The Clowns Are Staying Home Today
  • Viral Ides
  • A Sonnet for Sir Terry
  • Secrets to a Happy Life

Create a free website or blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • Oceantics
    • Join 1,152 other followers
    • Already have a WordPress.com account? Log in now.
    • Oceantics
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...