Elaine, I can hardly wait to read your commentary on the glosas of the right learned Mr. Dexter, he sounds like quite a fellow judging by his credentials! One gets the impression he may tend to exaggerate a bit and give free range to his very active imagination. I suspect this is why the two of you apparently pair well in this collaboration. Dead Edit Redo sounds like another work of complexity from the mind of a poet whose work I have come to love. I look forward to its release.
Ah, thank you, Russel. I could wax poetic forever on the incredible Alain Dexter who kindly allowed me to write of him, warts and all, in Dead Edit Redo. There’s a freedom that comes with collaborations like ours–he warned me from the outset, though, to keep my head as we carry on, and I warned him, in return, there’ll be certain he needs to keep hold of too. We’ll see how it goes.
Elaine, I can hardly wait to read your commentary on the glosas of the right learned Mr. Dexter, he sounds like quite a fellow judging by his credentials! One gets the impression he may tend to exaggerate a bit and give free range to his very active imagination. I suspect this is why the two of you apparently pair well in this collaboration. Dead Edit Redo sounds like another work of complexity from the mind of a poet whose work I have come to love. I look forward to its release.
Ah, thank you, Russel. I could wax poetic forever on the incredible Alain Dexter who kindly allowed me to write of him, warts and all, in Dead Edit Redo. There’s a freedom that comes with collaborations like ours–he warned me from the outset, though, to keep my head as we carry on, and I warned him, in return, there’ll be certain he needs to keep hold of too. We’ll see how it goes.